The Black Phone 2 2025 Review

My god, this film is incredible. From the story to the cinematography, to the acting, it was absolutely phenomenal. In a world full of cliché horror movie tropes, this one might use a few, but it never feels cliché. Instead, The Black Phone 2 uses those familiar elements as tools to elevate its narrative, not drag it down.

Set four years after the events of the first movie, we find Finney still struggling with the trauma left behind by the Grabber. Now a teenager, he smokes weed to cope with the stress and lingering pain. The psychological scars are clear, and the film never rushes or glosses over them. Instead, it allows them to sit with the audience and simmer.

His sister Gwen has grown too. Her visions, which once came only in flashes during dreams, have become stronger and more vivid. Now, she can interact with the world during them, almost crossing into another realm of perception. The central mystery revolves around Camp Alpine, a location Gwen sees repeatedly in her visions. As the two siblings follow the trail, they uncover the dark legacy of the camp and the story of three boys who went missing there back in the 60s. The way this slow-burn mystery unravels keeps you on edge, always guessing.

Mason Thames delivers an astonishing performance as Finney. His portrayal is layered and emotionally raw. You can feel the weight of the past in every glance, every line delivery. He carries the emotional heart of the film with ease. Madeline McGraw, playing Gwen, has grown tremendously since the last film. Her acting range is seriously impressive for someone her age. She gives the role a grounded strength, emotional clarity, and vulnerability that makes her scenes unforgettable.

Ethan Hawke returns as the Grabber. Even in brief appearances, his presence is haunting and deeply unsettling. You never feel safe when he’s on screen. He plays the role with a disturbing calm, making him one of the most terrifying modern horror villains. Visually, the film is stunning. The cinematography is meticulous and richly atmospheric. From the harsh sunlight of memory to the eerie shadows of the present, every frame feels planned with intention. The colours, framing, and use of silence all combine to create a mood that sticks with you long after the credits roll. The aesthetic is gorgeous. It is rare to see a horror film that looks this good and still manages to scare you out of your seat.

Director Scott Derrickson returns and brings his passion for the genre with him. His love of horror shows in every moment. The way he stages scenes, the rhythm of tension, and the emotional beats he pulls from the actors make this an exceptional sequel. He clearly respects the audience and never cheapens the experience.

The sound design is another standout. It makes your skin crawl. Every creak, whisper, scream, and echo has weight. You can hear the fear as much as you feel it. This is the kind of horror film that proves why the genre matters. It’s not just about jump scares or gore. It’s about story, character, emotion, and craft. This is why I rate this film 8/10.